One of the great troublemakers of American indie cinema (Gummo, Julien Donkey-Boy, Spring Breakers), Harmony Korine has spent 30 years subverting pop culture and its clichés in a career that has ranged across cinema, painting and multimedia works. He advocates an art of error which he terms “Mistakist Art”, plunging the viewer into a hypnotic, decadent universe by privileging technical imperfection, accident and tonal shifts.

We are thrilled that he has provided art for the poster for our 57th edition: a pop work that nods to the aesthetic of video games and its profusion of digital forms and colours. Its poetry and crazy energy set the tone for the Fortnight 2025!

“The characters in the painting are called Twitchys. They are always lurking and playing. They are very happy to be at Cannes“ H.K

To link our digital, signage and print elements, we designed a playful font, based on Harmony Korine’s handwriting. The combination of three different weights guarantees an organic look, like if it would be made by hand.

It’s always a pleasure to see people in front of the photocall and with the goodies we meticulously designed.